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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
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The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
Another of Iradier's compositions is "El Arreglito", a habanera used by Georges Bizet in his opera Carmen. Bizet, thinking it was a folk song, was inspired by the melody, and recomposed it as the aria "L'amour est un oiseau rebelle", also known as the "Habanera". When he discovered his mistake, Bizet added a note to the vocal score of the opera ...
Habanera, guitar composition by Eduardo Sainz de la Maza; Habanera, guitar composition by Xavier Montsalvatge "Habanera" (aria), popular name of an aria "L'amour est un oiseau rebelle" from Bizet's opera Carmen; Habanera (John Harle album), a 1987 album by the English classical saxophonist John Harle; Habanera, a 2000 album by Celia Cruz
A Minnesota couple has reportedly been sentenced to four years after they locked their children in cages for "their safety." Benjamin and Christina Cotton from Red Wing, were sentenced by a ...
Contradanza (also called contradanza criolla, danza, danza criolla, or habanera) is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France.
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