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Live Free or Die Hard (released as Die Hard 4.0 outside North America) is a 2007 American action thriller film directed by Len Wiseman, and serves as the fourth installment in the Die Hard film series. It is based on the 1997 article "A Farewell to Arms" [2] written for Wired magazine by John Carlin.
Although Holly does not appear in Die Hard with a Vengeance, she is mentioned in dialogue. McClane makes an attempt to telephone her, and her voice is heard briefly on the phone. She still resides in Los Angeles and is still married to McClane. In Live Free or Die Hard, cyber-terrorist Thomas Gabriel notes that McClane and Holly are now ...
Willis as John McClane in Live Free or Die Hard (2007) The fourth film, Live Free or Die Hard (titled Die Hard 4.0 in releases outside North America), which takes place on Independence Day, [7] takes place 13 years later. McClane is assigned to take hacker Matt Farrell (Justin Long) into FBI custody. McClane has been on the force over 30 years ...
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Die Hard is a 1988 American action film directed by John McTiernan and written by Jeb Stuart and Steven E. de Souza based on the 1979 novel Nothing Lasts Forever by Roderick Thorp. It stars Bruce Willis, Alan Rickman, Alexander Godunov, and Bonnie Bedelia, with Reginald VelJohnson, William Atherton, Paul Gleason, and Hart Bochner in supporting ...
At the time, she shared an Instagram story filming the TV while watching “Die Hard.” In a simple caption to the video, she wrote, “Us too.” This article was originally published on TODAY.com
Die Hard with a Vengeance is the third film in the Die Hard film series after Die Hard 2 and was later followed by Live Free or Die Hard and A Good Day to Die Hard. The film stars Bruce Willis as NYPD Lieutenant John McClane and Samuel L. Jackson as McClane's reluctant partner Zeus Carver.
Marco Beltrami, who had composed the soundtrack for the previous film, Live Free or Die Hard, returned to score A Good Day to Die Hard. Beltrami again incorporates Michael Kamen's material from the first three films into his score. Beltrami only had six weeks in which to write the music, and new scenes were still being shot as the music was ...