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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
A 17th-century valet de chambre. A valet or varlet is a male servant who serves as personal attendant to his employer. In the Middle Ages and Ancien Régime, valet de chambre was a role for junior courtiers and specialists such as artists in a royal court, but the term "valet" by itself most often refers to a normal servant responsible for the clothes and personal belongings of an employer ...
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
Costume designer Jane Petrie took a multifaceted approach to creating the costumes for Apple TV+’s Victorian-era drama “The Essex Serpent” — both referencing the period broadly and using ...
Aesthetic dress of the 1880s and 1890s carries on many of the external characteristics of Artistic dress (rejection of tightlacing in favour of simplicity of line and emphasis on beautiful fabrics), even though, at its core, Aestheticism rejected the moral and social goals of the Victorian dress reform that was its precursor.
A cold collation is already laid out, whilst the butler is arranging glasses on the side table. Highlights include a beautiful selection of evening dresses and also a mourning dress, of black satin, trimmed with jet. The mourning process in Edwardian and Victorian society followed a strict code.
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