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Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Vincent Willem van Gogh [note 1] (Dutch: [ˈvɪnsÉ›nt ˈʋɪləɱ vÉ‘Å‹ ˈɣɔx] ⓘ; [note 2] 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art.
The museum director Gert von der Osten emphasizes that Manet's still life was "painted quite openly impressionist with ingenious accuracy". [ 2 ] Manet's style of painting in this picture was examined in detail by employees of the Wallraf-Richartz-Museum & Fondation Corboud in Cologne in 2008 on the occasion of the exhibition Impressionism: How ...
Today this painting is in the Musée d'Art moderne et contemporain. [1] [2] The painting, with its slightly distorted perspective and its contrast of warm colors with dark shadows displays the late Bonnard's characteristic search for new means to depict space. It is one of several still life paintings he created in that decade. [2]
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