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Self-Portrait (Finnish: Omakuva) is a pencil and sepia ink on paper drawing by Finnish artist Ellen Thesleff (1869–1954) created from 1894 to 1895. It is one of nine early works produced from 1890 to 1905, sometimes referred to as her "natural" period.
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
The following outline is provided as an overview of and topical guide to the human self: Self – individuality, from one's own perspective. To each person, self is that person. Oneself can be a subject of philosophy, psychology and developmental psychology; religion and spirituality, social science and neuroscience.
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
With respect to positive psychology, self-acceptance, as a component of eudaimonic well-being (EWB), is an indicator and a measure of psychological well-being. [7] [8] For instance, Alfred Adler, founder of individual psychology, observed that people who thought of themselves as inferior also observed a depreciation of others. [3]
Major Sir William Newenham Montague Orpen, KBE, RA, RHA (27 November 1878 – 29 September 1931) was an Irish artist who mainly worked in London. Orpen was a fine draughtsman and a popular, commercially successful painter of portraits for the well-to-do in Edwardian society, though many of his most striking paintings are self-portraits.
Self-image is the mental picture, generally of a kind that is quite resistant to change, that depicts not only details that are potentially available to an objective investigation by others (height, weight, hair color, etc.), but also items that have been learned by persons about themselves, either from personal experiences or by internalizing the judgments of others.
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