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Roy Croft (sometimes, Ray Croft) is a pseudonym frequently given credit for writing a poem titled "Love" that begins "I love you not only for what you are, but for what I am when I am with you." [1] The poem, which is commonly used in Christian wedding speeches and readings, is quoted frequently. The poem is actually by Mary Carolyn Davies. [2]
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
In Blackwater Woods is a free verse poem written by Mary Oliver (1935–2019). The poem was first published in 1983 in her collection American Primitive , which won the 1984 Pulitzer Prize . [ 1 ] The poem, like much of Oliver's work, uses imagery of nature to make a statement about human experience.
Mary Carolyn Davies (1888–1974) was an American writer from Oregon. She was a poet, short story writer, and playwright. She was a poet, short story writer, and playwright. She lived for a period in New York , where she was a participant of several writing soirées .
Shelley developed a very strong affection towards Jane Williams and addressed a number of poems to her. In most of these poems, Shelley projects his love for Jane in a spiritual and devotional manner. This poem is an example of that. Shelley's affection towards Jane was known to Edward Williams and also to Mary Shelley.
Mary Ruefle (born 1952) is an American poet, essayist, and professor. She has published many collections of poetry, the most recent of which, Dunce (Wave Books, 2019), was longlisted for the National Book Award in Poetry and a finalist for the 2020 Pulitzer Prize . [ 1 ]
"Music, When Soft Voices Die" is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2] [3]
The poem was published in The Morning Post on 4 October 1802. The date corresponds with Wordsworth's marriage to Mary Hutchinson. [55] [56] Dejection was a response to Wordsworth's Immortality Ode. [57] It conveys feelings of dejection, expressed through an inability to write or appreciate nature.