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Aftermath is the fourth studio album by the English rock band the Rolling Stones.The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours.
High Tide were an English rock band formed in 1969 by Tony Hill (previously of The Misunderstood, guitar and vocals), Simon House (violin and keyboards), Peter Pavli (bass guitar) and Roger Hadden . [1] They released two studio albums under their own name for Liberty Records and one as backing musicians for Denny Gerrard. They broke up in 1970 ...
Interesting Times is the third album by High Tide. Two original members, Tony Hill and Simon House, reformed the name. Two original members, Tony Hill and Simon House, reformed the name. It was originally released as a mail order cassette, [ 2 ] [ 3 ] and later reissued on CD and vinyl with two bonus tracks.
Big Hits (High Tide and Green Grass) is the first compilation album by the Rolling Stones.With different cover art and track listings, it was released on 28 March 1966, on London Records in the US and on 4 November 1966, by Decca Records in the UK.
High Tide is the second album by High Tide.The album is slightly less heavy, with folk-influences within the band's sound. Though guitarist Tony Hill would later record with a new band under the High Tide banner, as well as releasing posthumous compilations of demos, this was the last proper album by the original group.
Outlaws is the debut studio album by American southern rock band Outlaws, released in 1975.The album is known for the rock classic "Green Grass & High Tides", which is considered by many to be one of the greatest guitar songs, plus the hit single "There Goes Another Love Song".
"High & Low" is a song written by Irish singer-songwriter Gemma Hayes and the first single release from her sixth studio album Blind Faith. The track was released on 23 June 2023. The track was released on 23 June 2023.
According to Bruce Eder of AllMusic, the album resulted from "three coinciding events – the need to acknowledge the death of the band’s founder Brian Jones (whose epitaph graces the inside cover) in July 1969; the need to get 'Honky Tonk Women,' then a huge hit single, onto an LP; and to fill the ten-month gap since the release of Beggars Banquet and get an album with built-in appeal into ...