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When I came home last night at three, The man was waiting there for me But when I looked around the hall, I couldn't see him there at all! Go away, go away, don't you come back any more! Go away, go away, and please don't slam the door... Last night I saw upon the stair, A little man who wasn't there He wasn't there again today
They journey into the night, and at this point They began to hum softly, as hobbits have a way of doing as they walk along, especially when they are drawing near to home at night. With most hobbits it is a supper-song or a bed-song; but these hobbits hummed a walking-song (though not, of course, without any mention of supper and bed). [T 2] [1]
When I came home last night at three The man was waiting there for me But when I looked around the hall I couldn’t see him there at all! Go away, go away, don’t you come back any more! Go away, go away, and please don’t slam the door Last night I saw upon the stair A little man who wasn’t there He wasn’t there again today
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"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [1] Though first published in the journal Botteghe Oscure in 1951, [ 2 ] Thomas wrote the poem in 1947 while visiting Florence with his family.
The bigger they are, the harder they fall; The boy is father to the man; The bread never falls but on its buttered side; The child is the father of the man; The cobbler always wears the worst shoes; The comeback is greater than the setback; The course of true love never did run smooth; The customer is always right
Then they came for me—and there was no one left to speak for me. A longer version by the Holocaust Memorial Day Trust, a charity established by the British government, is as follows: [4] First they came for the Communists And I did not speak out Because I was not a Communist. Then they came for the Socialists And I did not speak out
"Comin' Thro' the Rye" is a poem written in 1784 by Robert Burns (1759–1796). The words are put to the melody of the Scottish Minstrel "Common' Frae The Town".This is a variant of the tune to which "Auld Lang Syne" is usually sung—the melodic shape is almost identical, the difference lying in the tempo and rhythm.