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In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [12]
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
Pages in category "Marshall amplifiers" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
Marshall reissued the 2×12" Bluesbreaker [1] in 1989; the 4×10" was never reissued. [7] This version used 6L6 tubes. [7] [10] In 1991, Marshall began making a Bluesbreaker overdrive pedal that was intended to emulate the sound of the original combo. [7] In 1999, a second version of the amplifier, the Bluesbreaker II, was released, [11] with ...
An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup (with guitars and other string instruments and some keyboards) or other sound source (e.g, a synthesizer's signal) into an electronic signal ...
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