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Moore: "By the 1940s [there was] a trend toward the use of what Peñalosa calls the 'offbeat/onbeat motif.' Today, the offbeat/onbeat motif method is much more common." [61] With this type of guajeo motif, the three-side of clave is expressed with all offbeats. The following I–IV–V–IV progression is in a 3–2 clave sequence.
One recurring motif in her work is the Ciguapa that appeared in a series of works that she painted from 2005 to 2015. [28] Early on in this series, Báez painted ciguapas on books that had been decommissioned from nearby libraries and went on to paint them at a much larger scale on over cavases that measure over seven feet tall. [ 31 ]
A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller 's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions.
The use of characteristic, short, recurring motifs in orchestral music can be traced back to the early seventeenth century, such as L'Orfeo by Monteverdi.In French opera of the late eighteenth century (such as the works of Gluck, Grétry and Méhul), "reminiscence motif" can be identified, which may recur at a significant juncture in the plot to establish an association with earlier events.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [ 1 ] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
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A melodic motif is a melodic formula, established without reference to intervals. A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7]
Groups of three women are a recurring motif in much of Carrington's art, such as Three Women Around the Table (1951), and The Magdalens (1986). Some have concluded that this is a representation of her with her circle of surrealist artist friends in Mexico, Remedios Varo and Kati Horna . [ 5 ]