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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases.
The result is an album that has been referred to as a fusion between traditional Ethiopian melodies and "blessed-out" electro-jazz. [10] Several have described the music as psychedelic, with the Washington City Paper calling the album a "thoroughly psychedelic interpretation of traditional acoustic Ethiopian music."
Aster enjoyed listening to Ethiopian musicians like Tilahun Gessesse and Bizunesh Bekele, as well as American musicians like Donna Summer and Aretha Franklin. [8] [9] When she was thirteen years-old, she decided to join Hager Fikir Theatre and auditioned by singing Bizunesh's song to join the theater as a dancer and vocalist.
He went on to pursue a formal education in music at Holy Trinity College in London. Astatke was interested in promoting traditional Ethiopian music to Western audiences. Beginning in 1958, he also studied jazz at Berklee College of Music in Boston. There, he successfully combined Ethiopian music with Western jazz and rhythms, conceiving "Ethio ...
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
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Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. [2] He grew up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. [3] In 1952, when he was 14, he dropped out of high school and joined the army music department to support his family.
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