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Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
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The two are also interdependent and "without concrete poetry the current forms of visual poetry would be unthinkable". [10] The academic Willard Bohn, however, prefers to categorize the whole gamut of literary and artistic experiment in this area since the late 19th century under the label of visual poetry and has done so in a number of books ...
In his "ferro-concrete" (reinforced concrete) poems, Vasily Kamensky replaced grammar and syntax with a spatial arrangement of words that celebrates concrete as a dynamic force in the invention of the modern city. The artists discarded customary book materials and printed Tango on cheap wallpaper as a parody of urban bourgeois taste.
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
Poems in the form of an altar reappear in the Baroque period, written by educated authors who had come across the shaped poems preserved in the Greek anthology.At the very beginning of this period, an altar was found to be a convenient shape for an epitaph, as in the anonymous tribute in Greek to the poet Philip Sydney in the Peplus Illustrissimi viri D. Philippi Sidnaei (1587), [5] and there ...
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However, in the 1970s, the concrete poetry movement started adding elements of visual arts, moving away from purely word-based concretism and becoming closer to visual poetry. [36] After the sudden passing away of Niikuni, the visual and concrete poetry movements in Japan would come to an end [33] [37] and Niikuni's works were soon forgotten. [35]