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A game of "Questions and Commands" depicted by James Gillray, 1788. A parlour or parlor game is a group game played indoors, named so as they were often played in a parlour. These games were extremely popular among the upper and middle classes in the United Kingdom and in the United States during the Victorian era.
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. [1] It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain ...
James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
A game of "Questions and Commands" depicted by James Gillray, 1788. The game has existed for hundreds of years, with at least one variant, "questions and commands", being attested as early as 1712: A Christmas game, in which the commander bids their subjects to answer a question which is asked. If the subject refuses or fails to satisfy the ...
Shown on the opposition bench are other leaders of the Whig opposition including Charles James Fox. The work was reportedly originally dashed off by Gillray on a scrap of paper in a few hours. [2] Pitt describes the opposition as like a newly opened bottle which "bursts all at once, into an explosion of froth and air". [3]
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The Plumb-pudding in danger, or, State Epicures taking un Petit Souper is an 1805 editorial cartoon by the English artist James Gillray. The popular print depicts caricatures of the British Prime Minister William Pitt the Younger and the newly-crowned Emperor of France Napoleon , both wearing military uniforms, carving up a terrestrial globe ...
James Gillray's satirical image about the scandal. In 1796, the artist Benjamin West, who was then president of the Royal Academy of Arts in London, purchased an old manuscript from Jemima and Thomas Provis that they claimed held the details of the materials and techniques that had been used by painters such as Titian, Tintoretto, and Veronese.