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As with other traditional Moroccan structures, the interior decoration includes carved stucco, sculpted and painted wood, and zellij tilework. [2] [1] The central patio/courtyard, the wast ad-dar, is thus the centerpiece of the house. The size and craftsmanship of this interior space was an indication of the status and wealth of its owners ...
In some cases, international architects were recruited to design Moroccan-style buildings for major royal projects such as the Mausoleum of Mohammed V in Rabat and the massive Hassan II Mosque in Casablanca. [57] [14] The monumental new gates of the Royal Palace in Fez, built in 1969–1971, also made use of traditional Moroccan craftsmanship. [3]
Moroccan houses were inward focused, which allowed for family privacy and protection from the weather. This inward focus was expressed with a centrally placed interior garden or courtyard, and the lack of large windows on the exterior walls of rammed earth or mud brick. This design principle also found support in the social mores of Islamic ...
Mood board of technical design drawings, colour references and fabric samples. A mood board is a type of visual presentation or 'collage' consisting of images, text, and samples of objects in a composition. It can be based on a set topic or can be any material chosen at random.
In this context, "The iconographic power of emblematic images plays an underexplored role in the reproduction of foundational narratives about Casablanca's margins, shaping both popular and state discourses.", [18] which underscores the significance of visual representations in the ongoing dialogue between Casablanca's colonial past and its ...
Interior of the El Ghriba synagogue in Djerba, Tunisia Synagogues had a very different layout from mosques but in North Africa and Al-Andalus they often shared similar decorative trends as the traditional Islamic architecture around them, such as colourful tilework and carved stucco, [ 114 ] [ 115 ] though later synagogues in North Africa were ...
The architecture of Fez, Morocco, reflects the wider trends of Moroccan architecture dating from the city's foundation in the late 8th century and up to modern times. The old city of Fes, consisting of Fes el-Bali and Fes el-Jdid, is notable for being an exceptionally well-preserved medieval North African city and is classified as a UNESCO World Heritage Site. [1]
In his book,The Meditation on Ornament, Oleg Grabar departs from Gombrich's European-influenced position to show how ornament can be the subject of a design. He differentiates between filling a space with design, and transforming a space through design. Iran, Kharraqan, mausoleum, 1087, back. Grabar calls attention to the "iconophoric quality ...