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Female self-portrait in painting is the representation of a person of the female gender painted by herself. While using pictorial techniques and responding to the motivations of the self-portrait in general, the female self-portrait differentiates itself from the male by aspects concerning the physiognomy , the anatomy and the physiology of the ...
Cristina Otero (born Cristina Otero Pascual; November 29, 1995) [1] [2] is a Spanish photographer and artist best known for her self portraits. Otero is the youngest artist in Spain who has ever exhibited individually in an art gallery, when she was 15.
Self-Portrait at the Virginal with a Servant, 1577, Accademia di San Luca, Rome. Fontana has been called "the most significant and prolific female artist of the 16th century." [33] Fontana's Self-Portrait at the Virginal with a Servant is considered to be her masterpiece. It was painted as a betrothal gift to the Zappi family as evidenced by ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Equestrian Portrait of Maria Amalia of Saxony; American Collectors (Fred and Marcia Weisman) Amrita Sher-Gil Self Portrait (1931) Amrita Sher-Gil Self-Portrait 7 (1930) Portrait of My Wife, the Painter Anna Ancher; Antea (Parmigianino) Arab Woman (watercolor) L'Arlésienne (painting) Portrait of the Artist's Mother (Van Gogh)
Amrita Sher-Gil. This is a list of paintings by Hungarian-born Indian artist Amrita Sher-Gil (1913–1941). [1] Over 60 of her paintings, of which most were portraits and self-portraits, were created between 1930 and 1932 in Hungary and France.
Self-portrait in a Velvet Dress is described as: "Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features.
She was the daughter of Jan Sanders van Hemessen (c. 1500-after 1563), a prominent Mannerist painter in Antwerp who had studied in Italy. [7] Her father is believed to have been her teacher [8] [9] and she likely collaborated with him on many of his paintings [10] She became a master in the Guild of Saint Luke in Antwerp and was the teacher of three students.
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