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A gamelan gadhon is an ensemble consisting of the 'soft' instruments of the Javanese gamelan. [1] This can include rebab, gendér, gendér panerus, voice, slenthem, suling, siter, gong, kempul, kenong, and kendhang.
Download as PDF; Printable version; ... Gamelan gadhon; Gamelan siteran; Gamelan wayangan; ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
In some types of gamelan, two gendèrs are used, both spanning approximately two and a half octaves, the gendèr barung and the gendèr panerus, pitched an octave higher than the other. [1] In Gamelan Surakarta, the gendèr panerus plays a single line of melodic pattern, following a pattern similar to the siter. The gendèr barung plays a ...
The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument that is part of a Balinese gamelan gong kebyar.Traditionally, a single gamelan craftsman's workshop would construct, upon commission, a unified and uniquely tuned set of bronze instruments, numbering twenty or more, the sum total of which would constitute a gamelan gong kebyar.
This corresponds to the view that gamelan music is heterophonic: the balungan is then the melody which is being elaborated. "An abstraction of the inner melody felt by musicians," [ 4 ] the balungan is, "the part most frequently notated by Javanese musicians, and the only one likely to be used in performance."
Gerong performance. Gerong (Javanese: ꦒꦼꦫꦺꦴꦁ, romanized: gerong) is the Javanese verb meaning "to sing in a chorus." Penggerong is the proper name of a member of the chorus, but often the word gerong is used to refer to the unison male chorus that sings with the gamelan.
The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. [ 1 ] It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog .
This is a list of dāstāns and qissas (prose fiction) written in Urdu during the 18th and 19th centuries. The skeleton of the list is a reproduction of the list provided by Gyan Chand Jain in his study entitled Urdū kī nasrī dāstānen .