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The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for the Grand Vizier Rüstem Pasha.Rüstem Pasha was the husband of Mihrimah Sultan, one of the daughters of Suleiman the Magnificent by Hurrem Sultan, and served as Grand Vizier (a role comparable to a European prime minister) from 1544 to 1553 and from 1555 to 1561.
The lower part consists of a symmetrical pair of elegant 'S' scrolls or volutes curling out sideways and downwards from the base of the leaves. The upper part recalls the thrusting growth of leaves and flowers, while the volutes of the lower part seem to suggest both contributing fertile energies and resulting fruits.
Similarly, the pendulous garlands of white, pink, and red roses emphasize the delicate, transitory scene. Just as flowers die without water, so too may the scene disappear if not appreciated enough. The rich, elegant Anatolian carpet embellishing the royal enclosure bears the yellow border marked around by the red Medici palle. [3]
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design. [1]
The central nave. The interior features architecture in stone, enlivened by the polychromy of the furnishings, with the carved, painted, and gilded wood of the statues (including the 13th-century Madonna del Colle), the pulpit, various altars, the choir loft (a work by Bartolomeo Balcone from Rome-Sulmona dating back to 1619), and the five coffered ceilings, mainly crafted by Carlo Sabatini of ...
[69] [70] [71] Another positive point of Rococo painting was detected in the reformulation and softening of Christian iconography, translating the elements of faith and portraying its martyrs and saints within a less heavy and oppressive formal frame than that produced during the Baroque, allowing the birth of a more jovial and optimistic ...
The rest of the page is often decorated with dense designs of plants and animals in a muted grisaille, often gold and brown; text pages without miniatures often also have such borders. In later manuscripts, elements of the miniature begin to expand beyond the frame, which may disappear on one side of the image, or be omitted completely. [9]
Pierre-Joseph Redouté (French pronunciation: [pjɛʁ ʒozɛf ʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings. [1]