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2. I–V–vi–IV progression - Wikipedia

   en.wikipedia.org/wiki/I–V–vi–IV_progression

   It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

3. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   The following is a list of commonly used chord progressions in music. Code Major: Major: ... 4: Major IV-V-I-VI IV-V-I-vi progression in C major ... DOG EAR Tritone ...

4. '50s progression - Wikipedia

   en.wikipedia.org/wiki/'50s_progression

   The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...

5. Nashville Number System - Wikipedia

   en.wikipedia.org/wiki/Nashville_Number_System

   Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.

6. The Axis of Awesome - Wikipedia

   en.wikipedia.org/wiki/The_Axis_of_Awesome

   to "That's all it takes to be a star" (referring to the four chords themselves). On 20 July 2011, the Axis of Awesome released an official music video for "Four Chords" on their YouTube channel. Songs in the official music video: [11] Journey – "Don't Stop Believin'" James Blunt – "You're Beautiful" The Black Eyed Peas – "Where Is the Love"

7. Chord notation - Wikipedia

   en.wikipedia.org/wiki/Chord_notation

   A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz, particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord. Jazz chord ...