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The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's ...
At 16 years old, Maceda first started experimenting with guitars and the vals criollo genre. In 1954, Maceda, along with Juan Jiron and Juan Ruiz, formed "Los Ruiseñores." In 1955, Paco Maceda teamed up with Luis Abanto Morales to write the hit song "Nunca Podran." Genaro Ganoza Torres, co-founder of Los Kipus, was born on July 10, 1931.
Clotilde Mela Rosa Luciano, better known as Rosita Melo (July 9, 1897 – August 12, 1981), was an Argentine-Uruguayan pianist, composer and poet. She is the author of the famous vals criollo (Creole Waltz) "Desde el alma" for which she is known as the first widely recognized female Rioplatense Hispanic composer in the world.
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The Peruvian Waltz is called and recognised in Peru as vals criollo. [citation needed] The Mexican Waltz (vals mexicano) follows the same basic rhythmic pattern as the standard waltz, but the melodies reflect a strong Spanish influence.
The national team's most popular anthems are Peru Campeón, a polca criolla (Peruvian polka) glorifying Peru's qualification for the 1970 World Cup, [86] and Contigo Perú, a vals criollo (Peruvian waltz) that newspaper El Comercio calls "the hymn of Peruvian national football teams". [87]
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