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The swing era of jazz reached its peak in the 1930s, where the trombone was then popular. In a standard swing band there were 5 saxophones, 4 trumpets, 3 or 4 trombones and a rhythm section. This is when trombone started to stand out as a solo instrument, with players such as Jack Teagarden. Characteristic of the Teagarden style of trombone ...
125 Jazz Breaks for Trombone" was copyrighted in 1927 as Glenn Miller's 125 Jazz Breaks for Trombone by the Melrose Brothers Music Company: The House That Blues Built, 177 North State Street, Chicago, Illinois. The score was published in the UK in London by Herman Darewski Music Pub. Co., in 1941.
Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) [1] was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. [2] His theme song was "I'm Getting Sentimental Over You".
Glenn Miller and His Orchestra was an American swing dance band that was formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the swing era and one of the greatest singles charting acts of the 20th century.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular.
In the beginning, he was the main trombone soloist of the band, but when Jack Teagarden joined Pollack's band in 1928, Miller found that his solos were cut drastically. He realized that his future was in arranging and composing. [30] He had a songbook published in Chicago in 1928 entitled 125 Jazz Breaks for Trombone by the Melrose Brothers. [35]
In 1925 Armstrong left the Henderson band and would add his innovations to New Orleans style jazz to develop Chicago style jazz, another step towards swing. Traditional New Orleans style jazz was based on a two- beat meter and contrapuntal improvisation led by a trumpet or cornet , typically followed by a clarinet and trombone in a call ...
Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...