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Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The crusader Kingdom of Cyprus outlived the Fall of Constantinople by a generation; the subsequent sale of the island to Venice led to a brief period of Italo-Byzantine painting. [1] In 1571 Cyprus fell to the Ottomans and the practice of ecclesiastic wall painting largely came to an end. [1]
Byzantine artisans were used in important projects throughout Italy, and what are called Italo-Byzantine styles of painting can be found up to the 14th century. Italo-Byzantine style initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
Madonna and child, c. 1230, tempera on wood, now at the Metropolitan Museum of Art. Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century.
private collection Adoration of the Magi: 1570 oil on canvas San Diego Museum of Art: Saint Francis Receiving the Stigmata: 1570 oil on canvas 28.8 × 20.6 Art Museum of the Paliard Foundation, Naples Capodimonte Museum, Naples Mount Sinai: c. 1570 oil on canvas 41 × 47.5 Historical Museum of Crete, Heraklion: Purification of the Temple: c. 1570
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
International Gothic (or Late Gothic) art is a style of figurative art datable between about 1370 and, in Italy, the first half of the 15th century. As the name emphasizes, this stylistic phase had an international scope, with common features as well as many local variables.
During the period of the occupation of Constantinople by the Crusaders, between 1204 and 1261, following its sacking, Byzantine art experienced an interval during which it was no longer a priority, the new rulers showing little interest to the art. Only a small group of Byzantine manuscripts are dated to this period, with most of them mixing ...