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The English-language titles of compositions (books and other print works, songs and other audio works, films and other visual media works, paintings and other artworks, etc.) are given in title case, in which every word is given an initial capital except for certain less important words (as detailed at Wikipedia:Manual of Style/Capital letters ...
Examples: List of selection theorems, Women's rights in Haiti. In titles (including subtitles, if any) of English-language works (books, poems, songs, etc.), every word is capitalized except for the definite and indefinite articles, the short coordinating conjunctions, and any short prepositions. This is known as title case.
Do not italicize (but do capitalize) taxa higher than genus (exceptions are below). Virus taxonomy is a partial exception; current scientific practice is to italicize all ranks of taxa (even those higher than genus; e.g., Ortervirales, an order, or Herpesviridae, a family). However, this should only be done in articles about viruses or virology ...
For example, Dostoyevsky's works are almost all mostly known in English by English translations of their titles, while Molière's works are mostly known by their original French titles. This seems to me good reason to list Dostoevsky's works entirely by English title in a bibliography while listing Molière's by their original French titles.
Lead section: The name of the game in bold italics, its gameplay genre, release date, platform, and other identifying information go first.Then, a brief summary of the entire article body, which explains why the game is notable and important; this is the key aspect of the lead section, because it establishes the main idea that will be carried throughout the article.
As some examples, the NYT Manual: Uses ' s for possessives even for a word/name ending in s; Gives rationales for many practices for which AP simply states a rule; Is strictly alphabetical and thus self-indexed, while AP has separate sections for sports and weather entries, and combines many entries under such terms as "weapons"
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
The large character is used to make the ’N’ in Emanuel and the ‘מ’ in עמנואל. This is an example of orthographic word play. Most writers engage in word play to some extent, but certain writers are particularly committed to, or adept at, word play as a major feature of their work . Shakespeare's "quibbles" have made him a noted ...