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Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby , which claims 1750 as its year of establishment.
The Royal Worcester Visitor Centre, the seconds shop, and the café all closed with the factory in 2009. [citation needed] The Museum of Royal Worcester was formerly known as the Museum of Worcester Porcelain and the Dyson Perrins Museum and Worcester Porcelain Museum, after Charles William Dyson Perrins of Worcestershire sauce fame.
The Royal Worcester fruit painters were a group of painters who specialized in depicting fruits on porcelain tableware. The tradition originated with the painter Octar H. Copson, who in 1880 had also painted a plaque commissioned by a local farmer to commemorate the introduction of the Pershore plum.
They were produced by Royal Worcester, a British porcelain firm. An entire series of her porcelain birds are exhibited at the Stark Museum of Art in Orange, Texas and The Art Collection at Hebrew Home at Riverdale in Riverdale, New York, and at Audubon House of Pelican Island Audubon Society in Vero Beach, Florida. Towards the end of her life ...
Henry George Sandon MBE (10 August 1928 – 25 December 2023) was an English antiques expert, television personality, author and lecturer who specialised in ceramics and was a notable authority on Royal Worcester porcelain.
Also known as the Lomonosov Porcelain Factory 1750: Royal Crown Derby: Derby: England: Year of establishment disputed with 1757 1751: Royal Worcester: Stoke-on-Trent: England: Acquired by Portmeirion in 2009 1755: Royal Copenhagen: Copenhagen: Denmark: Also known as the Royal Porcelain Factory 1756: Manufacture nationale de Sèvres: Sévres: France
John (snr)produced five sons, three following in their father's footsteps and becoming painters at the Worcester factories. John Stinton was the eldest son, but did not take up china painting until the rather late age of thirty five. Besides Highland cattle, he depicted English cattle and produced many fine images of British castles on his ...
In 1819, he returned to Worcester, and was again employed at the Royal Porcelain Works (owned by Flight and Barr), and afterwards at Robert Chamberlain's factory. He was described as "the most accomplished artist who painted Worcester porcelain in the first half of the eighteenth century". [1] [5]
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