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Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
Shibui (渋い) (adjective), shibumi (渋み) (subjective noun), or shibusa (渋さ) (objective noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. [1] Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2]
To create an emotional association, they used a non-Japanese name, from classical Greek terms meaning "good" and "skin". It was so successful that it is still continued to be sold today. [ 20 ] The exotic motto "Richness in All" used by Shiseido accurately represented the time as it was when Japan was still new to western influences. [ 7 ]
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
See also: Japanese art, Japanese culture, Zen, Japanese values Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
Fumihiko Maki proposed his theory of oku in his work, Japanese City Spaces and the Concept of Oku. In traditional Japanese culture, Oku emerged as a principle to signify "the inner" or "inward". [4] This idea is traced back to the emergence of rice cultivation in Japan and the environmental separation of villages from the environment. [5]
In modern Japanese, the word is usually translated as "elegance," "refinement," or "courtliness" and sometimes to a "sweet loved one". The ideal posed by the word demanded the elimination of anything that was absurd or vulgar and the "polishing of manners, diction, and feelings to eliminate all roughness and crudity so as to achieve the highest ...
The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...