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Balin Fundinul uzbad Khazad-dûmu "Balin son of Fundin, lord of Moria" According to the Lhammas , Khuzdul is a language isolate , the sole member of the Aulëan language family, not related to the Oromëan languages spoken by Elves (all of which are akin to Quenya [ 3 ] ).
In the fictional history of the world by J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines, and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range.
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The tradition of shaped poetry goes back to Greek poets writing in Alexandria before the Common Era but most examples date from later and were written by European Christian poets during the Baroque period.
For example, Nasir Khusraw used it extensively for philosophical, theological, and ethical purposes, while Avicenna also used it to express philosophical ideas. It may be a spring poem (Persian بهاریه, bahâriye) or autumn poem (Persian خزانیه, xazâniye). The opening is usually description of a natural event: the seasons, a natural ...
The feet of an Arabic poem are traditionally represented by mnemonic words called tafāʿīl (تفاعيل).In most poems there are eight of these: four in the first half of the verse and four in the second; in other cases, there will be six of them, meaning three in the first half of the verse and three in the second.
The creation dates of some of the poems in the Divan are unknown. [22] However, a major portion of the Divan’s poems were written in the initial aftermath of Sham’s second disappearance. [22] Therefore, most of the poems probably date from around 1247 C.E. and the years that followed until Rumi had overcome his grief over the loss of Shams ...
The most common form of Persian poetry comes in the ghazal, a love-themed short poem made of seven to twelve verses and composed in the monorhyme scheme. [8] The qasida is another genre of Persian poetry that depicts the themes of spiritual or worldly praise, satire, or the description of a patron. In regard to Islamic poetry, the most common ...