Search results
Results from the WOW.Com Content Network
Dance_of_the_Sugar_Plum_Fairies_(ISRC_USUAN1100270).oga (Ogg Vorbis sound file, length 1 min 46 s, 143 kbps, file size: 1.81 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
In addition, the Dance Of The Sugar Plum Fairy is moved from near the end of Act II to near the beginning of the second act, just after the Sugar Plum Fairy makes her first appearance. To help the musical transition, the tarantella that comes before the dance is cut.
One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovsky ' s "Dance of the Sugar Plum Fairy" from The Nutcracker. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, celeste, meaning "heavenly" in French. The celesta is ...
Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
[14] [15] To conclude the night, the Sugar Plum Fairy and her Cavalier perform a dance. [16] [17] A final waltz is performed by all the sweets, after which the Sugar Plum Fairy ushers Marie and the Prince down from their throne. He bows to her, she kisses Marie goodbye, and leads them to a reindeer-drawn sleigh.
Choreography: Alexander Gorsky (after Petipa) Company: Bolshoi Ballet, Moscow Premiere: 1919 Russian choreographer Alexander Gorsky, who staged a production of The Nutcracker in Moscow in 1919, is credited with the idea of combining Clara and the Sugar Plum Fairy's roles (i.e. giving the Fairy's dances to Clara), eliminating the Sugar Plum Fairy's Cavalier, giving the Cavalier's dances to the ...
The song's lyrics, describing a series of individuals and their journeys to New York City, refer to several of the regular "superstars" at Andy Warhol's New York studio, the Factory; the song mentions Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by the nickname "Sugar Plum Fairy").