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"She's Always a Woman" is a song by Billy Joel from his 1977 album, The Stranger. The single peaked at No. 17 in the U.S. in Oct. 1978, [2] and at No. 53 in the UK in 1986, when it was released as a double A-side with "Just the Way You Are". It re-entered the UK chart in 2010, reaching No. 29.
"Modern Woman" is a song performed by Billy Joel from his album The Bridge. It was the album's lead-off single and was featured on the soundtrack to the film Ruthless People. In the film, the song removes an instrumental break present in the original. It was a Top 10 hit on Billboard Hot 100 chart in 1986.
Joel is mentioned by name only once in the Hebrew Bible, in the introduction to that book, as the son of Pethuel ().The name combines the covenant name of God, YHWH (or Yahweh), and El (god), and has been translated as "YHWH is God" or "one to whom YHWH is God," that is, a worshiper of YHWH.
The Twelve Minor Prophets (Hebrew: שנים עשר, Shneim Asar; Imperial Aramaic: תרי עשר, Trei Asar, "Twelve"; Ancient Greek: δωδεκαπρόφητον, "the Twelve Prophets"), or the Book of the Twelve, is a collection of prophetic books, written between about the 8th and 4th centuries BCE, which are in both the Jewish Tanakh and Christian Old Testament.
The single reached No. 7 on the US charts and No. 6 in Canada. It failed to chart, however, in the UK, unlike his preceding and succeeding singles "All for Leyna" (UK #40) and "It's Still Rock and Roll to Me" (UK #14). The Japanese single features "Close to the Borderline" as a B-side.
Leningrad Codex (1008 CE) contains the complete copy of Book of Joel in Hebrew.. The original text was written in Hebrew language. Some early manuscripts containing the text of this book in Hebrew are of the Masoretic Text tradition, which includes the Codex Cairensis (895 CE), the Petersburg Codex of the Prophets (916), Aleppo Codex (10th century), Codex Leningradensis (1008). [3]
The 2 Turtle Doves are The Old and New Testaments. The 3 French hens are Faith, Hope and Charity, the theological virtues. The 4 Calling Birds are the four gospels and/or the four evangelists.
Robert Christgau of The Village Voice wrote that Joel's craft improves, but "he becomes more obnoxious: the anti-idealism of 'Angry Young Man' isn't any more appealing in tandem with the pseudoironic sybaritism of 'I've Loved These Days.'" [9] In a retrospective review, Stephen Thomas Erlewine of AllMusic wrote that "the key to the record's success is variety, the way the album whips from the ...