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Marcus Tullius Cicero [a] (/ ˈ s ɪ s ə r oʊ / SISS-ə-roh; Latin: [ˈmaːrkʊs ˈtʊlli.ʊs ˈkɪkɛroː]; 3 January 106 BC – 7 December 43 BC) was a Roman statesman, lawyer, scholar, philosopher, orator, writer and Academic skeptic, [4] who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. [5]
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
The writings of Marcus Tullius Cicero constitute one of the most renowned collections of historical and philosophical work in all of classical antiquity. Cicero was a Roman politician , lawyer , orator , political theorist , philosopher , and constitutionalist who lived during the years of 106–43 BC.
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
Jack Gold's 1983 television version in BBC Television Shakespeare portrays Macbeth's servant Seyton, played by Eamon Boland, as the Third Murderer. In the television film, Seyton kills the other two murderers after the killing of Banquo, and then leads the murder of Lady Macduff , and is thus seen as "thoroughly vicious".
De Officiis (On Duties, On Obligations, or On Moral Responsibilities) is a 44 BC treatise by Marcus Tullius Cicero divided into three books, in which Cicero expounds his conception of the best way to live, behave, and observe moral obligations. The posthumously published work discusses what is honorable (Book I), what is to one's advantage ...
The American literary critic Harold Bloom judged it "the most successful film version of Macbeth". [49] Sylvan Barnet writes it captured Macbeth as a strong warrior, and that "Without worrying about fidelity to the original," Throne of Blood is "much more satisfactory" than most Shakespeare films. [50]