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The Three Ages of Man (Italian Le tre età dell'uomo) is a painting by Titian, dated between 1512 and 1514, and now displayed at the Scottish National Gallery in Edinburgh. . The 90 cm high by 151 cm wide Renaissance art work was most likely influenced by Giorgione's themes and motifs of landscapes and nude figures—Titian was known to have completed some of Giorgione's unfinished works after ...
[2] [3] At the first level, the different ages of the three human heads represent the three ages of man (from left to right: old age, maturity and youth), a subject that Titian had depicted 50 years earlier in his The Three Ages of Man. The different directions in which they are facing reflect a second, wider concept of time itself as having a ...
There Titian found a group of young men about his own age, among them Giovanni Palma da Serinalta, Lorenzo Lotto, Sebastiano Luciani, and Giorgio da Castelfranco, nicknamed Giorgione. Francesco Vecellio , Titian's older brother, later became a painter of some note in Venice.
The Madonna and Child with Saints Luke and Catherine of Alexandria is a mature work executed when Titian was at the height of his artistic powers and fame.. Christ is depicted as a playful baby, slightly off balance as He tips forward with arms outstretched towards Catherine, who in turn leans gently towards Him.
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
Portrait of a Young Englishman (Portrait of a Young Man with Grey Eyes) is an oil on canvas portrait by Titian, from c. 1540-1545. It is held in the Palazzo Pitti , in Florence . Its the uncertain that the portrait is really of an Englishman, he remains unidentified, but it may be in fact Henry Howard , or the Italians Ottavio Farnese [ 1 ] or ...
As he questions the crowd who have assembled at the foot of the steps—a throng of warriors, in the middle of whom is a young blonde girl in white with her arm round a boy whom she draws towards her, in front a fat pharisee, on the right a few horsemen, a turbaned Oriental, each figure with its strongly marked type—the answer is thundered ...
The man's gloved left hand holds a second leather glove; an accessory used by the most refined gentlemen of the time. His right hand is adorned with a golden ring, a symbol of richness, and a necklace decorated with a sapphire and a pearl. The use of a parapet in portraits was a common device of the young Titian.