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A tile-matching video game is a type of puzzle video game where the player manipulates tiles in order to make them disappear according to a matching criterion. [1] In many tile-matching games, that criterion is to place a given number of tiles of the same type so that they adjoin each other.
If a move causes three consecutive tiles of the same value to slide together, only the two tiles farthest along the direction of motion will combine. If all four spaces in a row or column are filled with tiles of the same value, a move parallel to that row/column will combine the first two and last two. [10] A scoreboard on the upper-right ...
Alternatively, an undecorated tile with no matching rules may be constructed, but the tile is not connected. The construction can be extended to a three-dimensional, connected tile with no matching rules, but this tile allows tilings that are periodic in one direction, and so it is only weakly aperiodic. Moreover, the tile is not simply connected.
Players may not create a word by creating a word that is already on the table or steal one resulting in such a word. Some versions of the game name the winner as the person who, after the round of turns has finished, first acquires eight words. If more than one player has done so, then the winner is the player is the one with the most tiles.
Sound from an array spreads less than sound from a point source, by the Huygens–Fresnel principle applied to diffraction.. While a large loudspeaker is naturally more directional because of its large size, a source with equivalent directivity can be made by utilizing an array of traditional small loudspeakers, all driven together in-phase.
Tiles are placed face-down in the middle of the table in a communal pool and each player is given a small number of face-up starting tiles. From their starting tiles, each player tries to build his own valid Scrabble grid—players do not use each other's grid or tiles. When a player successfully uses all of his face-up tiles, he shouts "take ...
Notes joined by a beam usually have all the stems pointing in the same direction (up or down). The average pitch of the notes is used to determine the direction – if the average pitch is below the middle staff-line, the stems and beams usually go above the notehead, otherwise they go below.
One can also define analogous coordination sequences for the vertices of the tiling instead of for its tiles, but because there are two types of vertices (of degree three and degree four) there are two different coordination sequences arising in this way. The degree-four sequence is the same as for the square grid. [11] [12]