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Some later Bandmaster Reverbs also added a 3-band EQ on the Normal channel and a bright switch but this was uncommon across all models. Master volume models with "pull boost" tone circuit, a Mid control knob for the Normal channel and a tailless amp decal were introduced in 1976.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
The 5150 was based on the Soldano SLO-100 which Eddie Van Halen was using at the time and designed to provide high gain saturation as well as a clean channel. [5]While the product was designed around a centered printed circuit board (PCB), its cascading five preamps (actually four preamplifiers and one phase inverter) and four gain stages were implemented in a very simple manner.
Modern systems have far wider potential bandwidth. An essential feature of all cutting amplifiers—including the Neumann cutting amplifiers—is a forcibly imposed high frequency roll-off above the audio band (>20 kHz). This implies two or more additional time constants to those defined by the RIAA curve.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products. Scholz is an MIT-trained engineer who developed many of his skills as a product design engineer working on audio-production equipment at Polaroid in the early 1970s.
Boss settled on a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. In a retrospective, Premier Guitar described the MT-2 as "literally the hottest piece of gear in the guitar world" upon its 1991 release. [3]
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The MT-2 sported a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. The pedal's thick, saturated, tight tone [ 15 ] and the extreme sounds the pedal was able to produce thanks to its powerful EQ controls made the MT-2 divisive ...