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Arturo Rogerio Dimayuga Luz (November 26, 1926 – May 26, 2021 [1]) was a Filipino visual artist. He was also a known printmaker, sculptor, designer and art administrator. A founding member of the modern Neo-realist school in Philippine art, he received the Philippine National Artist Award, the country's highest accolade in the arts, in 1997. [2]
Ayala Museum: In Microcosm – A display of works from the various art holdings of its permanent collection and from its existing long-term loan agreements designed to give an overview of the cultural heritage of the Philippines. [12] The Digital Gallery – A space for visitors to virtually explore artworks, artifacts, and music up close from ...
The National Museum of Fine Arts (Filipino: Pambansang Museo ng Sining [1] [2]), formerly known as the National Art Gallery, is an art museum in Manila, Philippines. It is located on Padre Burgos Avenue across from the National Museum of Anthropology in the eastern side of Rizal Park .
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
Bernardo was the subject of three major retrospectives; the first one in 1979 at the Museum of Philippine Art, the second, in 2013 at the Ayala Museum during the centenary of his birth and the third, at the Cultural Center of the Philippines in 2014. According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent ...
Onib Olmedo (July 7, 1937 – September 8, 1996) was a Filipino painter acclaimed by critics as one of the major Filipino artists of the 20th century. Olmedo created a body of works that utilizes the expressionist technique of distortion to portray the inner torment experienced by modern man.
The University of Santo Tomas Museum owns one of Asuncion’s paintings, dated February 1862. An unsigned portrait of Fr. Melchor Garcia de Sampedro at the UST Museum is said to be the work of Asuncion. Most of his other works are kept as national treasures at the Central Bank of the Philippines and the Philippines Museum.