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The Wind Repertory Project (WRP) is an extensive database documenting and listing wind repertoire—music written for wind instruments. [W 1] Primarily intended for band directors, [1] the site's search is customizable, by composer, demographics, instrumentation, form, style and instrumental solo features. [2]
Étude Op. 25, No. 11 in A minor, often referred to as Winter Wind in English, is a solo piano technical study composed by Frédéric Chopin in 1836. It was first published together with all études of Opus 25 in 1837, in France, Germany, and England.
Westron Wynde was put to music by Igor Stravinsky as a movement (Westron Wind) of his Cantata (1952). [citation needed] The American folk group The Limeliters (Louis Gottlieb, Alex Hassilev, and Glenn Yarbrough) recorded a version using a variation of the first tune above, with modern English stanzas interpolated. Both the variation and the ...
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
Summer Music showcases each instrument of the wind quintet for which it was composed, namely the flute, oboe, bassoon, clarinet, and horn.The piece is in a single movement, and has been described as ranging from lyrical and lazy to energetic and contrapuntal.
Serenade for wind instruments, cello and double bass in D minor (Czech: Serenáda pro dechové nástroje d moll), Op. 44, B. 77, is a chamber composition by the Czech composer Antonín Dvořák. The work is dedicated to the music critic and composer Louis Ehlert who praised the Slavonic Dances highly in the German press.
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A Winter's Tale (in Swedish: En vintersaga; subtitled: Four Vignettes after Shakespeare (Fyra vinjetter till Shakespeares)), Op. 18, is a four-movement suite for orchestra written from 1937 to 1938 by Swedish composer Lars-Erik Larsson. The Epilogue (No. 4) is often performed and recorded as a stand-alone concert piece.