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Stand-up comedy has roots in various traditions of popular entertainment of the late 19th century, including vaudeville, the stump-speech monologues of minstrel shows, dime museums, concert saloons, freak shows, variety shows, medicine shows, American burlesque, English music halls, circus clown antics, Chautauqua, and humorist monologues like those delivered by Mark Twain in his first (1866 ...
The History of Comedy is a CNN documentary series, as part of CNN Original Series. The documentary explores the underlying questions of what makes American people laugh, why, and how the laughter influenced their social and political landscape throughout American history.
The show was successful enough that in 1930 a film was made with the characters and in 1951 it became a television sitcom. The film starred the white actors in blackface. The television show starred African American actors. Radio in its early years was a showcase for comedy stars from the vaudeville circuit.
Charley Case (August 27, 1858 – November 26, 1916) [1] was an American vaudeville performance artist who delivered the first known example of stand-up comedy in the late 1880s, delivering humorous monologues directly to the audience while standing in one spot without props or costumes. He is credited with creating the term "punchline" as he ...
"Lorne: The Man Who Invented Saturday Night Live," by New Yorker articles editor Susan Morrison (to be published February 18 by Random House), is a biography of late-night comedy producer Lorne ...
Stand-up comedy originated in various traditions of popular entertainment in the late 19th century. These include vaudeville, the stump-speech monologues of minstrel shows, dime museums, concert saloons, freak shows, variety shows, medicine shows, American burlesque, English music halls, circus clown antics, Chautauqua, and humorist monologues, such as those delivered by Mark Twain in his 1866 ...
They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension", and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek ...
By the end of the 1950s, live comedy transitioned from film to videotape, which allowed for editing during post-production. By editing a prerecorded live show, bumps and gaps were present in the soundtrack. [6] Douglass was called upon to "bridge" or "fill" these gaps.