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A cultural critic is a critic of a given culture, usually as a whole. Cultural criticism has significant overlap with social and cultural theory. While such criticism is simply part of the self-consciousness of the culture, the social positions of the critics and the medium they use vary widely. The conceptual and political grounding of ...
Cultural Criticism and Transformation (1997), by bell hooks, is a two-part video that critiques stereotypical portrayals of race, gender and class in the media with extensive examples. In conclusion, hooks makes an argument for the power of cultural criticism. The interview style film is divided into two parts:
Social criticism can be expressed in a fictional form, e.g. in a revolutionary novel like The Iron Heel (1908) by Jack London, in dystopian novels like Aldous Huxley's Brave New World (1932), George Orwell's Nineteen Eighty-Four (1949), Ray Bradbury's Fahrenheit 451 (1953), amd Rafael Grugman's Nontraditional Love (2008), or in children's books or films.
The critique of ideology is a concept used in critical theory, literary studies, and cultural studies. It focuses on analyzing the ideology found in cultural texts, whether those texts be works of popular culture or high culture, philosophy or TV advertisements. These ideologies can be expressed implicitly or explicitly.
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]
Florian Znaniecki (1882-1958) was a Polish-American philosopher and sociologist. Znaniecki's culturalism was based on philosophies and theories of Matthew Arnold (Culture and Anarchy), Friedrich Nietzsche (voluntarism), Henri Bergson (creative evolutionism), Wilhelm Dilthey (philosophy of life), William James, John Dewey and Ferdinand C. Schiller (). [5]
Sociological criticism analyzes both how the social functions in literature and how literature works in society. This form of literary criticism was introduced by Kenneth Burke, a 20th-century literary and critical theorist, whose article "Literature As Equipment for Living" outlines the specification and significance of such a critique.
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture that are profit driven and mass-produced under capitalism. [1] [2] [3] [4]