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The film SNU was released in 2019, directed by Patrícia Sequeira; it was the second most popular national release of the year. [9] Abecassis also featured in the series, 3 Mulheres [ pt ] , first aired on 26 October 2018, which told the story of her life alongside that of Maria Armanda Falcão and Natália Correia .
[1] [2] [3] Povratak otpisanih continues the storyline from the first part, following the underground group of Belgrade resistance fighters led by Tihi (Voja Brajović) and Prle (Dragan Nikolić). It was first broadcast on 1 January 1978. Like its predecessor Otpisani, it had 13 episodes that were subsequently remastered into a feature film.
Sakla Beni (trans. Lost in Love) [1] is a Turkish television series in the drama romance genre, set to release with its premiere episode on 2 November 2023. [2] It is produced by OGM Pictures, directed by Nadim Güç, and the screenplay is written by Armağan Gülşah and Nergis Otluoğlu Akoğlu. [3]
Paula Pardo Luz of Cinemanía rated the film 3 out of 5 stars, writing that it "fulfills its purpose, [as it] entertains and entertains a lot, and leaves you wanting to know what will happen in the third and final installment of the saga".
Many Wars Ago (Italian: Uomini contro, lit. 'Men Against') is a 1970 anti-war film set on the Alpine Front of the First World War.Directed, produced, and co-written by Francesco Rosi, [2] the film is based on Emilio Lussu's memoir Un anno sull'altipiano ("One year on the plateau"), recounting his experiences at the Battle of Asiago. [3]
Kuzgun (transl. "Raven") is a Turkish thriller television series that started to be broadcast on Star TV on 13 February 2019, written by Burcu Görgün Toptaş and Özlem Yılmaz, directed by Bahadır İnce and starring Barış Arduç and Burcu Biricik.
Spun is a 2002 American black comedy crime drama film directed by Jonas Åkerlund from an original screenplay by William De Los Santos and Creighton Vero, [2] based on three days of De Los Santos's life in the Eugene, Oregon drug subculture.
[2] Dennis Harvey of Variety called the film "an offbeat conceptual mixture, albeit one that’s somewhat frustrating and occasionally tedious, if beautifully photographed by Austin Schmidt." [ 3 ]