Search results
Results from the WOW.Com Content Network
However parallel fourths in upper voices (especially as part of a parallel "6-3" sonority) are common, and formed the basis of fifteenth-century fauxbourdon style. As an example of this type of allowed parallel perfect fourth in common practice music, see the final movement of Mozart's A minor Piano sonata whose theme in bars 37–40 consists ...
The parts of the head are the nose, muzzle, stop, forehead or braincase, occiput (highest point of the skull at the back of the head), ears, eyes, eyebrows or brows, whiskers, flews (lips, which may hang down), and cheeks. Dog heads are of three basic shapes: [4] Apple-headed refers to a dog's head that is round on top, not flat.
Dogs can express a range of emotions based on movements of the teeth and lips. In an aggressive dog, the lips curl back to expose clenched teeth, which warns others of their ferocity. Conversely, an open mouth showing unclenched teeth indicates that a dog is in a playful or relaxed mood. [16]
3. Having to greet every dog: This can result in something referred to as oversocialization – in simple terms, when your dog gets used to saying hello to everybody. “So, when that lead goes on ...
"I have to confess that I sometimes find myself cooing to my dogs in baby talk, especially since we just adopted an 8-pound chihuahua mix." Dr. Buzby says. "Most of the time, I don’t even ...
Tail wagging to the right side of the body – the dog feels comfortable and safe. [4] A dog rolls on its back and rubs its shoulders on the ground to display contentment [1]: 199 Dogs are said to exhibit a left-right asymmetry of the tail when interacting with strangers, and will show the opposite right-left motion with people and dogs they know.
A drawing by Konrad Lorenz showing facial expressions of a dog - a communication behavior. X-axis is aggression, y-axis is fear. Dog behavior is the internally coordinated responses of individuals or groups of domestic dogs to internal and external stimuli. [1] It has been shaped by millennia of contact with humans and their lifestyles.
Elsewhere, in parallel organum at the fourth, the upper line would be accompanied a fourth below. Also important was the practice of Fauxbourdon , which is a three-voice technique (not infrequently improvisatory ) in which the two lower voices proceed parallel to the upper voice at a fourth and sixth below.