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Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
The Fulcrum grip is a four-mallet grip for vibraphone and marimba developed by vibraphonist and educator Ed Saindon. The aim of the grip is to use varying fulcrum positions and finger technique to achieve the control, speed, and power of a two-mallet grip while being able to use all four mallets.
Gary Burton had observed that jazz vibraphonists would tend to play harmony using four mallets, but switch to a two mallet grip to solo, so he made the Burton grip so that one could solo without having to switch grips, allowing for chords to be used during these solos. It is formed as a variant of the cross grip, [2] with the mallets held as ...
Method of Movement for Marimba describes Stevens' method for holding marimba mallets, efficient utilization of motion, and includes over 500 musical exercises for the student. Method of Movement (often shortened to MOM) was the first textbook to fully describe a complete method for holding and playing with 4 mallets. Stevens came up with the ...
An example of the mallets used when playing a marimba. The mallet shaft is commonly made of wood, usually birch, but may also be rattan or fiberglass. The most common diameter of the shaft is around 8 mm (5 ⁄ 16 in). Shafts made of rattan have a certain elasticity to them, while birch has almost no give.
Mitchell Thomas Peters (August 17, 1935 – October 28, 2017) was a principal timpanist and percussionist with the Los Angeles Philharmonic Orchestra. He composed well-known pieces for the marimba such as "Yellow After the Rain" and "Sea Refractions"; it is said that these works were composed because Peters felt that there was a lack of musically interesting material that would introduce his ...
"Yellow After the Rain" is a composition for solo marimba, written in 1971 by former Los Angeles Philharmonic principal percussionist Mitchell Peters. [1] Peters reportedly wrote the work for his own private students, for whom he was unable to find musically interesting material that introduced four-mallet techniques.
Five mallets in use on a vibraphone. In percussion, grip refers to the manner in which the player holds the sticks or mallets, whether drum sticks or other mallets.. For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters.
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related to: 4 mallet marimba solos- 3579 S High St, Columbus, OH · Directions · (614) 409-0683
