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Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
Stanza: a group of lines forming the basic recurring metrical unit in a poem. (cf. verse in music.) Syllable weight and stress: weight refers to the duration of a syllable, which can be defined by the length of a vowel ; whereas stress refers to a syllable uttered in a higher pitch—or with greater emphasis—than others
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
Read no further until you really want some clues or you've completely given up and want the answers ASAP. Get ready for all of today's NYT 'Connections’ hints and answers for #616 on Sunday ...
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". [1] Created by William Carlos Williams, it was his "solution to the problem of modern verse" [2] and later was also taken up by poets Charles Tomlinson and Thom Gunn.
Seeger selected the eleven songs for the album from an anthology of folk songs for children that had been published by his stepmother, Ruth Crawford Seeger, in her 1948 book titled American Folk Songs For Children, ISBN 0-385-15788-6, a book of musical notations and notated guides.
The act is performed generally by males who wear costumes, make-up and may wear different face masks suiting the theme enacted. Even female characters are played by males. It is an abstract dance form with no sounds used and the dancers use various expressions to express various themes, that is derived from the aspects of nature, animals and birds.