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The carte de visite was usually an albumen print from a collodion negative on thin paper glued onto a thicker paper card. The size of a carte de visite is 54 mm (2.125 in) × 89 mm (3.5 in) (approximately the size of a business card), mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in). The reverse was generally printed with the logo of the ...
Business card size CD. Various technological advances made Compact Disc "business cards" possible, which could hold about 35 to 100 MB of data. These business card CDs may be square, round or oblong but are approximately the same size as a conventional business card. CD business cards are designed to fit within the 80 mm tray of a computer's CD ...
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The last cabinet cards were produced in the 1920s, even as late as 1924. Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from ...
When an image is rendered in a raster-based image editor, the image is composed of millions of pixels. At its core, a raster image editor works by manipulating each individual pixel. [5] Most [13] pixel-based image editors work using the RGB color model, but some also allow the use of other color models such as the CMYK color model. [14]
André-Adolphe-Eugène Disdéri credited with introduction of the carte de visite (English: visiting card or calling card) format for portraiture. Disdéri uses a camera with multiple lenses that can photograph eight different poses on one large negative. After printing on albumen paper, the images are cut apart and glued to calling-card-size ...
which was derived from cards in Germany that read Gruss Aus. [2] The original postcards were "printed on linen-textured paper with a high rag content, allowing absorption of dyes from high-speed German lithographic presses," [3] thus large-letter postcards are usually a subtype of linen postcards, although the basic design existed earlier. [4]
A typical 1940s–early 1950s black-and-white real photo postcard. A real photo postcard (RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
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