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Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The number 4 is a very important number in Islam with many significations: Eid-al-Adha lasts for four days from the 10th to the 14th of Dhul Hijja; there were four Caliphs; there were four Archangels; there are four months in which war is not permitted in Islam; when a woman's husband dies she is to wait for four months and ten days; the Rub el ...
Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. [2] Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque.
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [ 10 ] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
The Grove Dictionary of Art will have none of this confusion, and says flatly: "Over the centuries the word has been applied to a wide variety of winding and twining vegetal decoration in art and meandering themes in music, but it properly applies only to Islamic art", [39] so contradicting the definition of 1888 still found in the Oxford ...
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The color green was also a very prominent tool in this religious symbolism, as green is the color of Islam, and a majority of the foliage, aside from flowers, expressed this color. [ 2 ] Religious references
Islamic calligraphy has also displayed figurative themes. Examples of this are anthropomorphic and zoomorphic calligrams. [40] Islamic calligraphy forms evolved, especially in the Ottoman period, to fulfill a function similar to figurative art. [41] When on paper, Islamic calligraphy is often seen with elaborate frames of Ottoman illumination. [41]
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