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"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Initially greeted with scorn by critics and newspaper editors in the city of its gaze (The Chicago Daily News famously called it a "Case for Ra(n)t Control"), it is now widely regarded by scholars as a definitive prose portrait of the city of Chicago, although it has never rivaled the literary status of Carl Sandburg's 1916 poem "Chicago ...
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems , and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
The original recording features an electric guitar solo using a wah-wah pedal by Chicago guitarist Terry Kath, and a lead vocal line in the Aeolian mode. [8]According to the recollections of producer James William Guercio and horn player Lee Loughnane, Cetera had to record the vocal while his jaw was still wired together after he had been attacked at a baseball game at Dodger Stadium on May 20 ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [ 5 ]
MLA Handbook grew out of the initial MLA Style Sheet of 1951 [5] (revised in 1970 [6] [7]), a 28-page "more or less official" standard. [8] The first five editions, published between 1977 and 1999 were titled MLA Handbook for Writers of Research Papers, Theses, and Dissertations.
The first issue of Chicago-based Poetry magazine appeared in 1912. While Chicago produced much realist and naturalist fiction, [9] its literary institutions also played a crucial role in promoting international modernism. The avant-garde Little Review (founded 1914 by Margaret Anderson) began in Chicago, though it later moved elsewhere.
Reuven Tsur in Israel has developed in great detail models for the expressivity of poetic rhythms, of metaphor, and of word-sound in poetry (including different actors' readings of a single line of Shakespeare). [16] Richard Gerrig in the U.S. has experimented with the reader's state of mind during and after a literary experience. He has shown ...