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The Godly Man's Picture is a work of systematic theology by Thomas Watson, a 17th century English Puritan preacher. The full title is The Godly Man's Picture Drawn with a Scripture Pencil, or, Some Characteristic Marks of a Man who is Going to Heaven.
Humility is a virtue extolled by Saint Francis of Assisi, and this iconography was associated with Franciscan piety, although it was not the creation of the Franciscans, since the artist first associated with the image, Simone Martini, had ties with the Dominicans and may have created the image for them. [2]
The ceremony commemorates the commandment of Christ that his disciples should emulate his loving humility in the washing of the feet (John 13:14–17). The medieval Latin term mandatum (mandé, maundy), came to apply to the rite of foot-washing on the Thursday preceding Easter Sunday, known in English as "Maundy Thursday" since at least 1530. [3]
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Peter Leithart notes that while the cross and resurrection are often thought of as a "U-shaped series of events", John's gospel, with its emphasis on the cross as the being the glorification of Christ (John 12:23), "pictures the death, resurrection, and ascension as points along a straight line, with a steep positive slope. The cross is not ...
Prudentius, writing in the 5th century, was the first author to allegorically represent Christian morality as a struggle between seven sins and seven virtues. His poem Psychomachia depicts a battle between female personifications of virtues and vices, with each virtue confronting and defeating a particular vice. [ 9 ]
A "Litany to Obtain Holy Humility" was published in 1867 by "A R.C. Clergyman". [5] A version very similar to the version attributed to Cardinal Merry del Val was published in 1880, copyright 1879, and "translated from the French of the Fifth Edition." It appears Merry del Val was using a lesser known but already published prayer.
In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. [1] The word is from Italian ma donna 'my lady' (archaic).