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Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
Soul patches came to prominence in the 1950s and 1960s, as a style of facial hair common among African-American men, most notably jazz musicians. Frank Zappa is a well-known artist who sported one from the early sixties on. It became popular with beatniks, artists, and those who frequented the jazz scene and moved in literary and artistic circles.
In Art Make-Up (1967–68) Nauman videotapes himself applying successive layers of white, pink, green and black makeup to his entire face, arms, and torso. In Flesh to White to Black to Flesh (1968) he videotapes himself applying white make-up to his face and body, then black make-up, then wiping the make-up away to re-expose his skin. [8] [9]
He later founded the California Curl Company, which was noted for developing and commercializing the afro pick, also known as the Afro Tease or "Eze Teze". [4] It also developed the California Curl treatment, precursor to the Jheri curl. [5] Morrow's company and barbershop were located on Market Street in San Diego from the 1960s through 1990s. [6]
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Silurian Border Morris Men, at Saddleworth Rushcart, August 2013. Multiple theories exist about the origins of the theatrical practice of blackface as a caricature of black people. One interpretation is that it can be traced back to traditions connected with Morris dancing. Another interpretation is that traditionally the use of soot to blacken ...
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Depiction of sneering used in Darwin's The Expression of Emotions in Man and Animals. A sneer is a facial expression of scorn or disgust characterized by a slight raising of one corner of the upper lip, known also as curling the lip or turning up the nose. [1]