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An official digital font file of the typeface has never been released. Instead, individuals or companies have developed digital fonts based on the shapes and specifications provided in the standard. The Roadgeek 2014 font set is an open-source and digital reproduction of the FHWA fonts. [9]
Overpass is a geometric sans-serif digital typeface, derived from Highway Gothic, but instead with a focus on usage as a webfont on digital screens for user interfaces and websites. It was designed by Delve Withrington with Dave Bailey, Thomas Jockin, Alan Dague-Greene, and Aaron Bell between 2011–2021. [ 3 ]
The "Included from" column indicates the first edition of Windows in which the font was included. Included typefaces with versions ... Yu Gothic UI [6] Sans Serif ...
Morris Fuller Benton (America's most prolific type designer, having completed 221 total typefaces, including: Franklin Gothic, Century Schoolbook, News Gothic, Bank Gothic) Lucian Bernhard (Bernhard Gothic, Bernhard Modern) Charles Bigelow and Kris Holmes, partners in design (Lucida family) Joseph Blumenthal, (Spiral, Emerson) William H. Bradley
Highway signs in Danville, Virginia, using both Highway Gothic and Clearview fonts (2007). Clearview was granted interim approval by the FHWA for use on positive-contrast road signs (light legend on dark background, such as white on black, green, blue, brown, purple or red) on September 2, 2004, [9] though not on negative-contrast road signs (dark legend on light background, such as black on ...
Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. [1] [2] It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic.
Alternate Gothic was designed by Morris Fuller Benton for A.T.F. in 1903. It is essentially a moderately bold condensed version of Franklin Gothic, made in three numbered widths - No.1 is the most condensed, 3 the least. One feature that sets it apart from Franklin Gothic is the absence of a bottom serif on the digit 1, like in Akzidenz-Grotesk.
Globe Gothic (c. 1900, Benton), a refinement of Taylor Gothic, designed by ATF vice-president Phinney in 1897 for Charles H. Taylor for the exclusive use of the Boston Globe. Globe Gothic Condensed + Extra Condensed + Extended (c. 1900, Benton) Globe Gothic Bold (1907, Benton), credited to Benton, though Goudy claims Phinney commissioned him to ...
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