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The ivory's history between then and 1625 is unknown – in that year it was offered by the leading antiquary Nicolas-Claude Fabri de Peiresc to the Papal legate Cardinal Francesco Barberini in Aix-en-Provence, becoming part of the Barberini collection in Rome. Peiresc mentions it specifically in a letter to his friend Palamède de Vallavez ...
Memorial to Carlo Barberini: Santa Maria in Ara Coeli, Rome 1630 Sculpture Marble 26 [32] Statue of Carlo Barberini: Palazzo dei Conservatori, Rome 1630 Sculpture Marble Life-size 27 [33] Self-Portrait as a Mature Man (Bernini) [Wikidata] Uffizi, Florence 1630–1635 Painting Oil on canvas 62 cm × 46 cm (24.4 in × 18.1 in) NA [34] Saint Longinus
Barberini Ivory on display at the Louvre. Panel of a possible imperial diptych representing the empress Ariadne, Bargello.. In Late Antiquity, an imperial diptych is a theoretical type of ivory diptych, made up of two leaves of five panels each and each with a central panel representing the emperor or empress.
Thanks to more than 150 artworks from their 4,000-piece collection, the Baroque institution has never looked fresher.
The panel is the largest single piece of carved Byzantine ivory that survives, [1] at 42.9 × 14.3 cm (16 7/8 × 5 5/8 in). [2] It is, along with the Barberini ivory , one of two important surviving 6th-century Byzantine ivories attributed to the imperial workshops of Constantinople under Justinian, [ 3 ] although the attribution is mostly ...
Barberini ivory; P. Portland Vase; V. Barberini Venus This page was last edited on 30 August 2017, at 08:37 (UTC). Text is available under the Creative Commons ...
The Bust of Francesco Barberini is a marble sculpture by the Italian artist Gian Lorenzo Bernini, now in the National Gallery of Art in Washington, D.C. It was executed in 1623. It was commissioned by Pope Urban VIII, who was a nephew of Francesco Barberini, an apostolic protonotary. Francesco had died in 1600, so Bernini created the bust from ...
Ivory carving was used in many luxury Byzantine sculptures including diptychs such as that showing the Adoration of the Magi and the Barberini Diptych, representing Justinian as Holy Emperor. The throne is the largest single Late Antique work of art made of ivory, and derives attraction from its simple and proportionate lines along with its ...
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