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The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the orchestra with its distinctive 'A'. [3] A musician who plays the oboe is called an oboist.
Free Play: Improvisation in Life and Art is a book written by Stephen Nachmanovitch [1] [2] and originally published in 1990 by Jeremy Tarcher of the Penguin Group. Free Play can be described as the creative activity of spontaneous free improvisation , by children, artists, and people all around the world.
The oboe d'amore (Italian for 'love oboe'; (pronounced [ˈɔːboe daˈmoːre]), less commonly hautbois d'amour (French: [obwɑ damuʁ]), is a double reed woodwind musical instrument in the oboe family. [1] Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the mezzo-soprano of the oboe ...
The shehnai is a type of oboe from the Indian subcontinent. [1] It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end. [2] [3] [4] It was one of the nine instruments found in the royal court. The shehnai is similar to South India's nadaswaram.
The piston (Breton: pistoñ, English phonetic "pist-on") is a type of oboe invented by Breton musician, teacher, and luthier Youenn Le Bihan in 1983. [1] The pistoñ is a contemporary development of the hautbois , classical and/or baroque oboe , influenced by the bombard or talabard, the traditional double reed instrument of Brittany.
Robert Bloom (May 3, 1908 – February 13, 1994) was an oboist with an orchestral and solo career, a composer and arranger contributing to the oboe repertory, and a teacher of several successful oboists. [1] Bloom is considered seminal in the development of an American school of oboe playing. [2]
John Ferrillo is an American oboist.He has been the Principal Oboe of the Boston Symphony Orchestra since 2001. He is also member at the Tanglewood Music Center.Prior to these posts, he was Co-Principal Oboe of the Metropolitan Opera Orchestra in New York from 1986 to 2001 as well as a former teacher at the Juilliard School and Mannes School of Music.
Reichenberg became increasingly interested in playing the oboe's repertoire on the instrument for which it had been written and, with the assistance of Harnoncourt, moved to Vienna in order to study baroque oboe with Jürg Schäftlein. He simultaneously studied oboe making with Paul Hailperin, building the instrument upon which he played for ...
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