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Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
Modernism/Reformism in the Indonesian context is defined by its pure adherence toward the Qur'an and Hadith, promotion of ijtihad (individual reasoning), rejection of madh'hab (Islamic schools of jurisprudence) and as well as criticism against taqlid (imitation of judicial precedence) to religious scholars, Sufism, and vernacular traditions based on syncretism with local practices.
Angklung padaeng is a musical instrument made of bamboo which is a modern variant of angklung. Traditional angklung used the slendro , pelog , and madenda scales. In 1938, Daeng Soetigna made an innovation so that the angklung could play diatonic notes.
This instrument is derived from the Arabic cultural elements. but according to the saga of local stories, musical instruments Kompang entrance on the ground wither exactly selangor brought by the great scholar of the family entourage of the Pondok Tegalsari in Ponorogo, the island of Java, which is the forerunner of Pondok Modern Darussalam ...
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people.
Talempong can be used to play a wide variety of music traditional and modern. Talempong have been used in some experimental gamelan pieces composed at Sekolah Tinggi Seni Indonesia Surakarta , which has West Sumatran instructors and students.
saron gamelan degung barudak Indra Swara Mexico. The saron is a musical instrument of Indonesia, which is used in the gamelan.It normally has seven bronze bars placed on top of a resonating frame (rancak).
Western music had begun to influence Ottoman music from before the early Tanzimat period. [1] According to Degirmenci "the first westernization movement in music happened in the Army; in 1826 Giuseppe Donizetti, brother of the famous opera composer Gaetano, was invited to head the military band of Nizam-i Cedid (the Army of the New Order), which was founded by Selim III."