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  2. MPEG-1 Audio Layer II - Wikipedia

    en.wikipedia.org/wiki/MPEG-1_Audio_Layer_II

    The use of an additional entropy coding tool, and higher frequency accuracy (due to the larger number of frequency sub-bands used by MP3) explains why MP3 does not need as high a bit rate as MP2 to get an acceptable audio quality. Conversely, MP2 shows a better behavior than MP3 in the time domain, due to its lower frequency resolution.

  3. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.

  4. MP3 - Wikipedia

    en.wikipedia.org/wiki/MP3

    The immediate predecessors of MP3 were "Optimum Coding in the Frequency Domain" (OCF), [38] and Perceptual Transform Coding (PXFM). [39] These two codecs, along with block-switching contributions from Thomson-Brandt, were merged into a codec called ASPEC, which was submitted to MPEG, and which won the quality competition, but that was ...

  5. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The frequency response for a conventional LP player might be 20 Hz to 20 kHz, ±3 dB. The low-frequency response of vinyl records is restricted by rumble noise (described above), as well as the physical and electrical characteristics of the entire pickup arm and transducer assembly. The high-frequency response of vinyl depends on the cartridge.

  6. Data compression - Wikipedia

    en.wikipedia.org/wiki/Data_compression

    Throwing away more of the data in the signal—keeping just enough to reconstruct an "intelligible" voice rather than the full frequency range of human hearing. The earliest algorithms used in speech encoding (and audio data compression in general) were the A-law algorithm and the μ-law algorithm.

  7. Digital audio - Wikipedia

    en.wikipedia.org/wiki/Digital_audio

    This digital signal can then be recorded, edited, modified, and copied using computers, audio playback machines, and other digital tools. For playback, a digital-to-analog converter (DAC) performs the reverse process, converting a digital signal back into an analog signal, which is then sent through an audio power amplifier and ultimately to a ...

  8. Frequency domain - Wikipedia

    en.wikipedia.org/wiki/Frequency_domain

    The inverse Fourier transform converts the frequency-domain function back to the time-domain function. A spectrum analyzer is a tool commonly used to visualize electronic signals in the frequency domain. A frequency-domain representation may describe either a static function or a particular time period of a dynamic function (signal or system).

  9. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    The signal is converted from time-domain to frequency-domain using forward modified discrete cosine transform (MDCT). This is done by using filter banks that take an appropriate number of time samples and convert them to frequency samples. The frequency domain signal is quantized based on a psychoacoustic model and encoded.

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