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Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
Christians in the Visual Arts (CIVA) is an American visual arts organization working to enhance and explore the relationship between Christian faith and the visual arts. [1] [2] It was founded in 1979. [3] After 45 years CIVA ceased its programming in June 2023. [4]
As a stable Western European society emerged during the Middle Ages, the Catholic Church led the way in terms of art, using its resources to commission paintings and sculptures. During the development of Christian art in the Byzantine Empire (see Byzantine art ), a more abstract aesthetic replaced the naturalism previously established in ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices.
The only name for this diagram which was in any regular use during the Middle Ages was "Scutum Fidei", a Latin phrase meaning "Shield of the Faith", taken from the Vulgate of Ephesians verse 6:16. For example, in this c. 1247–1258 manuscript of John of Wallingford 's writings, the quote from Ephesians 6:16 is placed directly above the diagram.
The Visual Bible, also Visual Bible Project is the name used by two distinct projects to film, verbatim, books of the New Testament. The first Visual Bible project produced The Visual Bible: Matthew (1993) and The Visual Bible: Acts (1994) starring Italian - American actor Bruce Marchiano as Jesus .
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
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